chronoskin

Four people in two rooms above a bindery. Taking on new work from September 2016.

Design studio · Books, identities, websites

We design books, identities and quiet websites for people who make things.

Since 2009

chronoskin is a studio of four. We take six projects a year, set every page ourselves and stay until the thing is printed, bound or live.

All forty-eight projects

We began with one book for a friend. Most of what we do is still made of paragraphs, and we still read every one of them before we set it.

  • 48Projects
  • 7Years
  • 31Books in print
  • 4People
Availability

Two places open from September

A book takes us about fourteen weeks, an identity ten. Tell us what you are making and when it has to exist.

Studio notes

Four letters a year about paper, type and deadlines

One page each. Nothing to buy.

  1. Studio
  2. Work

Work

Everything the studio has finished since 2009, with its number, its year and how long it took.

Showing 8 of 48 projects.
No. Project For Kind Year Weeks
48Tide TablesMarrow PressBook201614
47A Grammar of FencesHalden MuseumBook201619
46Northfield DairyNorthfield FarmIdentity201510
45Lund and DaughtersLund JoineryWebsite20158
44The Ferry TimetableSound FerriesIdentity201522
43Halden ArchiveHalden MuseumWebsite201526
42Bread, MostlyMarrow PressBook201412
41Forty BridgesOland and VossBook201416
New Award 48 In print At the printer Out of print

Nothing here yet

Seven years of deadlines have left no room for a project of our own. If you have a book that nobody will pay for, we would like to hear about it.

Propose one
  1. Studio
  2. Work
  3. No. 48, Tide Tables

Tide Tables

Twelve essays about one estuary, set in two colours and bound so that it lies flat on a boat.

Plate 1 The half title and the opening of the first essay. The text block sits low on the page, leaving the head margin for the times of high water.

The brief

The author wanted a book that could be read in a small boat, in wind, with one hand.

That sentence did most of our work for us. It ruled out a dust jacket, a tight spine and anything smaller than ten point. It also gave us the format: as wide as a chart folder, so the book travels where the charts do.

The page

Each essay opens on a right-hand page under the tide times for the day it describes. We set the text in Source Serif at 10.5 / 14.5 on a measure of twenty-four picas, and kept three rules for every spread:

  • nothing in the head margin but the tide;
  • no line of text closer than a thumb to the fore edge;
  • the second colour for water, never for emphasis.

A book for a boat has one job before all the others: to stay open at the page you left it.

Binding

The sections are sewn and the spine is left open under a cloth strip, so every spread lies flat. The cover is a single board, printed in one pass.

  1. Studio
  2. Contact

Contact

Tell us what you are making. One of the four of us answers every message within three working days.

The studio is closed from 18 July to 5 August. Messages sent then are answered in the second week of August.

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